Richard Quinn AW20

[x_section style=”margin: 0px 0px 0px 0px; padding: 45px 0px 45px 0px; “][x_row inner_container=”true” marginless_columns=”false” bg_color=”” style=”margin: 0px auto 0px auto; padding: 0px 0px 0px 0px; “][x_column bg_color=”” type=”1/4″ style=”padding: 10px 10px 10px 10px; border-style: solid; border-width: 1px 1px 1px 1px; “][x_text class=”center-text “]by Danny de la Cruz

Photo credit: Graham Land for VRAI Magazine[/x_text][/x_column][x_column bg_color=”” type=”3/4″ style=”padding: 0px 0px 0px 0px; “][x_text]What is there to say about the genius that is Richard Quinn? It was on full display during his Autumn/Winter 2020 catwalk at London Fashion Week to cap off day 2.

The collection started out with incredibly detailed, head-to-toe, pearl and button creations with a touch of “Rubber Man” from American Horror Story in several looks that followed. Talk about the beautiful juxtaposition of BDSM with gorgeous demi-couture-like creations.

What followed next were a series of rose and floral-inspired cocktail dresses with exaggerated puffed shoulders, to full-length gowns with voluminous silhouettes, many with large floral prints to give each an even grander presence.

And what better way to close out the event than with a celebration of confetti raining down on the models as they walked the catwalk. Another incredible feast for the senses – this is the garden of Richard Quinn.

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